Yes, no

The title of the exhibition “Yes, No” is taken from one of the paintings of the same name. The artist does not explicitly suggest a narrative or a specific mode of interpretation. Entering into a dialogue with the viewer, she does not offer any hints through her images or compositions, but instead leaves room for interpretation generated by the viewer’s imagination, which often produces ambivalent – in fact contradictory – feelings, in which (in relation to specific painterly representations) two ideas of equal importance and intensity coexist.